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Specialty

Costume design

Designs the clothes, shoes and accessories of the characters in a theater, film, TV, opera or dance production, so they say who each character is and work on stage or on camera.

In Spanish
Diseño de vestuario
Origin
Ancient stage practice; reference works by Nadoolman Landis (2012) and Pantouvaki and McNeil (2021)

What problem it addresses

A costume isn't chosen by taste: it has to show who the character is, read well under that light and at that distance, and allow movement, quick changes and many performances.

Principles

  • Character first

    Clothes tell someone's period, trade and personality before they speak.

  • Made to perform

    The costume is tested on the person who wears it and in motion, not only on the sketch.

  • Part of the scene

    Color and texture are decided together with the space, the light and the camera.

Applications in design

  • Use it like this

    Test each costume on the person who will wear it, in motion and under the real light, before opening night.

  • Avoid

    Dressing characters in whatever is in fashion without asking what each garment says.

  • Don’t fall for it

    Look at the costume from the back row or in close-up, and check it can be changed in time.

Authors and works

  1. Royal Decree 633/2010 (Spain)

    Includes costume for theater and film in the profile of the fashion specialty of higher Design studies.

  2. 2010

    Aoife Monks

    Proposed not treating the costume as secondary to the performer, or the other way round. In each performance, body and costume merge, and the audience helps give them meaning.

  3. 2012

    Deborah Nadoolman Landis

    Brought together sixteen film costume designers, who explain how they imagine a character, work within a budget and collaborate with directors, actors and production designers.

  4. 2021

    Sofia Pantouvaki and Peter McNeil

    Gathered research that treats costume as an active part of making performance, an object that gives shape to ideas born of teamwork.

Sources

Original sources

Academic reviews

  • Pantouvaki, S., & McNeil, P. (Eds.). (2021). Performance costume: New perspectives and methods. Bloomsbury Visual Arts.

Secondary sources

  • Nadoolman Landis, D. (2012). FilmCraft: Costume design. Focal Press.

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