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Specialty

Lighting design

Designs the natural and artificial light of a space (how much there is, where it comes from and its color) so people can see, find their way and experience the place as intended.

In Spanish
Diseño de iluminación
Origin
Kelly (1952)

What problem it addresses

The same room looks different depending on how it is lit. Even light everywhere lets you see, but flattens the space and doesn't say what to look at.

Principles

  • Ambient light

    Soft, continuous light lets you see the whole space without hard shadows.

  • Focal light

    More light on what matters and less elsewhere guides the eye.

  • Sparkle

    Small bright points, like candles or crystal chandeliers, bring the place to life.

Applications in design

  • Use it like this

    Design light in layers: first the ambient, then the focus, and finally the sparkle.

  • Avoid

    Filling the ceiling with identical lights that leave everything at the same intensity.

  • Don’t fall for it

    Check how the space looks by day, at night and as the light changes.

Authors and works

  1. 1952

    Richard Kelly

    In an article that year, he proposed thinking of architectural light in three layers: ambient luminescence, focal glow and the play of brilliants.

Sources

Original sources

  • Kelly, R. (1952). Lighting as an integral part of architecture. College Art Journal, 12(1).

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